Prof. Cori Dauber speaks to the Council on Foreign Relations

 

Communication Studies Professor Cori Dauber was asked to speak to the Council on Foreign Relations in New York City on November 12th, 2014 regarding her work on ISIS’ videos, and their use of the visual in Social Media.

 

For more on the Council, visit their website.CouncilonForeignRelations logo



Reviews for Prof. Francesca Talenti’s “The Uncanny Valley”

Uncanny Valley promo shot

Professor Francesca Talenti’s show The Uncanny Valley headed north to play in Brooklyn this October — check out the reviews !

 

 

 

 

 

 

 

 

 

 

The Uncanny Valley is technically impressive and intellectually haunting, forcing the audience to face the growing role of technology in our world. – Sarah Lucie, Show Business Weekly

 http://showbusinessweekly.com/print-article-2485-print.html

 

An inventive cybernetic fairy tale… staged with poetic grace, both touching and ominous. – Rachel Kerry, New York Theater Review 

http://newyorktheatrereview.blogspot.com/2014/10/do-androids-dream-of-electric-souls.html

 

The show had me on the edge of my seat the entire time. – Rachel Weinberg, Broadwayworld.com

http://www.broadwayworld.com/off-off-broadway/article/BWW-Reviews-The-Brick-Theaters-THE-UNCANNY-VALLEY-A-Trip-Down-The-Technological-Rabbit-Hole

Uncanny Valley taglineTHE UNCANNY VALLEY

THE UNCANNY VALLEY

New collage piece Thorns vs. Roses by Professor Ed Rankus

 

Edward Rankus‘ latest video Thorns vs. Roses is now being distributed by the Video Data Bank.

 rankus_thorns poster 1

Thorns vs. Roses (A video by Edward Rankus 13.5 minutes 2014)

A collage piece. Oppositions of agony & ecstasy are explored. Morticia trims yet another rose stem, while Bugs Bunny takes up Zen. Guilt-wracked, a nun tries furtively to cleanse herself of imagined sin. Or attain spiritual release. Various divas flail to no avail. Lips, lipstick, frozen lips. Shakuhachi music by Chris Moran sets the mood, when there isn’t a thunderstorm raging.

 

 

 

 

 

 

vdb_logoVideo Data Bank

Founded at the School of the Art Institute of Chicago in 1976 at the inception of the media arts movement, the Video Data Bank (VDB) is a leading resource in the United States for video by and about contemporary artists.

Professor Sarah Sharma’s book wins NCA book award

NCA logo (2014)

Sarah Sharma

 

 

 

 

 

 

 

 

Professor Sarah Sharma’s In the Meantime: Temporality and Cultural Politics has been awarded BOOK OF THE YEAR by the Critical and Cultural Studies Division of the National Communication Association (NCA).

in_the_meantime

To learn more about In the Meantime, check out Tim Ballingall’s review.

NCA sign

For more about the National Communication Association, visit their webpage.

 

 

New book on hate speech from Professor Mike Waltman

Hate on the Right (Waltman)

Professor Michael Waltman continues his exploration of hate speech in his new book Hate on the Right: Right-Wing Political Groups and Hate Speech (Peter Lang Publishers)

 

 

 

 

 

 

 

 

This book examines the ways that hatred comes alive in language and discourse. It asks whether much of the discourse on the political right – that which attacks their enemies – is hate speech. Extending Michael Waltman’s previous work on hate speech, this book examines the discourse and language produced by a variety of right-wing groups and attempts to determine the homology that exists among their discourses. These groups, which include the racist right wing, the political right wing, the Christian right wing, and the paramilitary right wing, are examined respectively through the lenses of the film White Apocalypse, the book Atlas Shrugged, the Left Behind trilogy of movies, and the web pages maintained by the Republic of the United States of America and the National Rifle Association. The author looks at the discourses of hate produced in these seminal texts in order to identify a homology of exclusion that unites the forms of right-wing extremism, giving them a common frame of reference when confronting social and political challenges. (from book synopsis)

Success for the Long Story Shorts Playwrights – DTH

The Daily Tarheel checks in with playwrights from the LONG STORY SHORTS (October 2014)  http://www.dailytarheel.com/article/2014/10/long-story-shorts-brings-student-playwrights-together

 

LongStoryShorts program(back)

WSSthumb

Hollywood Media Internship Interest Meeting

HollyWood

Thursday, Oct. 9th, 5PM in Swain 01A

The Hollywood Internship Program is a summer study & work opportunity that provides a great way to apply classroom learning to the specific career goals of interest to the selected Communication Studies students.  It also serves as an industry immersion experience.

Interns benefit from gaining practical skills in state-of-the-art technical facilities & are exposed to the expertise of renowned producers, directors, screenwriters, cinematographers & agents.
For online application procedures & more details, visit this link:
http://comm.unc.edu/undergraduate/oppcommmaj/interninfo/hollywood

Documentary Filmmaker Haslett Named Assistant Professor

haslett

Sep 8, 2014 – The UNC Communication Studies Department is happy to announce the hire of award-winning documentary filmmaker Julia Haslett as assistant professor. 

“As Department Chair, I am so pleased to announce Professor Haslett’s appointment. Not only does she bring a wealth of teaching and administrative experience to her new position teaching documentary production here at Carolina; she also is an award-winning documentarian who is bound to enrich the intellectual life of our department,” said Ken Hillis. 

Haslett’s most recent film, An Encounter with Simone Weil, premiered at IDFA in Amsterdam and won Michael Moore’s Special Founder’s Prize at the Traverse City Film Festival. Moore called it “a profound and moving film on a woman who continues to speak to all of us.” It was a New York Magazine Critic’s Pick during its 2012 US theatrical run. 

Haslett is also producer/director of the highly acclaimed Worlds Apart series about cross-cultural medicine, and producer of the companion hour-long documentary Hold Your Breath (PBS 2007). Her documentary shorts Hurt & Save, Flooded, Eclipsed, and Pure & Simple have screened at numerous festivals and galleries, including Full Frame, Black Maria, and Rooftop Films. 

She has received fellowships from the MacDowell Colony and the IFP Documentary Lab, and her work has been supported by the Vital Projects Fund, the Greenwall Foundation, and the Florence Gould Foundation, among many others. She has worked at WGBH-Boston, the Discovery Channel, and as a Filmmaker-in-Residence at the Stanford University Center for Biomedical Ethics. 

Haslett got her B.A. from Swarthmore College and her M.F.A. in Integrated Media Arts from Hunter College (CUNY) in 2011. From 2013–2014, she was a Visiting Associate Professor and Head of Film & Video Production in The University of Iowa’s Department of Cinematic Arts. She was born in London.

Professor Sharma’s Book Reviewed on Itineration

http://itineration.org/meantime

 

Tim Ballingall reviews

In the Meantime: Temporality and Cultural Politics
Author(s) or Editors Sarah Sharma
Publisher: Duke University Press
Paperback Cost $19.40(U.S.)

Below is a transcript of the above video. You may also click here for a PDF version of this transcript.

In our current era of global capitalism and digital technologies, its easy to think that time is getting faster. But is it? Sarah Sharma’s In the Meantime: Temporality and Cultural Politics contests that this question obscures the complex differential nature of time. Instead of asking whether time is getting unilaterally faster, we are better off asking for whom is time getting faster. Whose time is impacted by the time of others, in what ways, and under what conditions? And, how do individuals adjust, or “recalibrate,” to the time of others?

In the introduction, Sharma writes that the goal of the book is to “[offer] an approach to time that is about the micropolitics of temporal coordination and social control between multiple temporalities” (7). “Temporalities,” she writes, “do not experience a uniform time but rather a time particular to the labor that produces them” (8). Moreover, “temporalities … exist in a grid of temporal power relations” there is an “uneven multiplicity of temporalities,” and this multiplicity “is complicated by the labor arrangements, cultural practices, technological environments, and social spaces that respond to this so-called globalized, speedy world” (9). This thesis is a corrective to much of the work in “speed theory,” space studies, and public sphere theory.

Sharma is making a Foucauldian move, moving us from a model of sped-up time that is repressive and spatial to one that is differential within a biopolitical economy. Rather than thinking of time as something one can step in to or out of, similar to the way we think of, for example, stepping in to or out of the public spheres, Sharma argues that time, much like power for Foucault, is everywhere. Time is differential, contingent upon labor and social conditions, and, most importantly, it moves according to the management of life and living bodies.

Using a “mixed methodological approach that includes political economic analysis, attention to technological environments, thick descriptions, discourse analysis, and ethnographic interviews” (15), Sharma explores the ways in which individuals’ relationships to time are structured by the labor they perform, the value the global market attributes to that labor, and the ways in which an individual’s time affects and is affected by the time of others. Although the difference between blue-collar and white-collar labor is a theme throughout the book, Sharma maintains that biopolitics possess better explanatory power than the Marxist distinction between the bourgeoisie and the proletariat.

In Chapter 1, “Jet-Lag Luxury: The Architecture of Time Maintenance,” Sharma examines the frequent business traveler. These individuals experience an abnormal relation to time, evidenced by the health risks associated with jet lag, but they also benefit from an exterior temporal infrastructure. This infrastructure comprises places and products that facilitate adequate rest and relaxation for these privileged travelers. An additional element of this temporal infrastructure is, of course, the time of others—these include drivers, receptionists, security guards, maids, janitors, and remote assistants (46-51).

Individuals working in the service industry experience an abnormal relation to time much like the jet-lagged business traveler; however they lack an exterior temporal infrastructure. Few service professions exemplify this abnormal, unsupported temporality like that of taxi drivers. Chapter 2, “Temporal Labor and the Taxicab: Maintaining the Time of Others,” contains interviews with three taxi drivers in Toronto. The time of these drivers is always structured around the temporal needs of others. This alienating relation to time is the result of the state’s biopolitical divestment in “blue collar” labor.

Without an exterior temporal infrastructure, the taxi drivers in this chapter rely on “[temporal] strategies of survival and technologies of the self” (74). In addition, they suffer from what Sharma calls “cab lag,” a term that “evokes the materially impoverished relationship to time that is exacerbated by the sped-up lives that others choose … [and it] refers to a condition of labor where people exist in a differential and inequitable temporal relation with another group with whom they are expected to synch up” (79).

Unlike the previous two groups, the office worker experiences a very normal relation to time and benefits from external temporal infrastructures. The office worker gets up in the morning, goes to work between 9 and 5, eats meals at regular times, watches TV during the prime time hours in the evening, and goes to bed at a decent hour. However, office work can take its toll.

Chapter 3, “Dharma at the Desk: Recalibrating the Sedentary Worker,” argues that the emerging popularity of one-hour yoga instruction in the workplace facilitates the workers’ recalibration of time. One hour of yoga during which the individual is told “listen to your body” and “this is your life, accept it” does foster “better mind-body awareness, but it is not a critical awareness of the structure that ties the worker to the desk in the first place. Instead, it is an intervention that is intended to lead individuals to accept structural conditions and make themselves responsible for their own well-being” (103). This is consistent with the fact that manual laborers like taxi drivers are not asked to “listen to their bodies” because they know they are in pain (103).

The workplace yoga instructor seeking to temporarily slow down time pales in comparison to the efforts of organizations and communities across the globe that have attempted to construct a slow lifestyle. In the past few years, slowness has emerged in the popular imaginary associated with environmental sustainability, local eating, animal rights, wellness, and anti-technology sentiments. In Chapter 4, “Slow Space: Another Pace and Time,” Sharma examines Bowen Island, British Columbia; The Caretta Shiodome in Tokyo; Slow Food Nation in San Francisco, and the notion of the “staycation.” In all of these examples, the counter-cultural construction of a slow lifestyle represents “a depoliticization of time” (111), one that is “fraught with the neoliberal contradiction of demanding individual responsibility for how one spends one’s time … while advocating for slowness as an attainable public good” (128). Not surprisingly, the impoverished temporality of the service workers in and around slow-lifestyle spaces and places remains an invisible contradiction.

Sharma concludes that the attempt to slow down time promotes Cartesian individualism and ignores structural socio-economic disparities. Sharma writes: “The temporal public is an understanding of the public orientated around a nonautonomous time. A sufficiently critical temporal politics does not recognize free time in a public space but rather a relational time, one that is tangled and layered, bound to the time of others” (147). She continues: “A temporal perspective … reimagines time, not as being singularly yours or mine for the taking, but as uncompromisingly tethered and collective” (150).

In the Meantime persuasively argues a provocative thesis about temporality in society. The thesis is bold, compelling, and would be widely interesting to scholars in cultural studies and media studies. The chapters are logically organized around the theme of value or lack thereof associated with certain forms of labor, and they are ordered such that Sharma gradually builds the case against the sentiment that “time is getting faster.” As expected, Chapter 4 (“Slow Space”) presents the most poignant critique of speed theory’s model of time and power.

This book would also be interesting to scholars of rhetoric. Kairos, the concept commonly used to designate the opportune moment for fitting rhetorical activity, has been repeatedly re-theorized over the years, most recently by rhetoricians working with Heideggerian notions of materiality as well as other theories of pre-symbolic, pre-persuasion rhetoricity. But rhetoric as a discipline is not exempt from what Sharma calls the “spatial bias.” This refers to the fact that, while scholars in the humanities and social sciences have increasingly turned their attention to the cultural politics of spaces and places, these scholars have paid little attention to time, the other half of the material field.

As we continue to theorize rhetoric in light of the “spatial” or “material turn,” Sharma would urge us to consider the ways in which agency can be found in not only human rhetors and things and objects around them, but also temporality, one’s relation to time and the time of others. Moreover, a recent article in Theory, Culture, & Society argues that the work of Foucault and other postmodernists is often dismissed by proponents of new materialism, overlooking important, albeit underdeveloped, insights in Foucault’s work into the relation between matter and meaning (Lemke). In the Meantime can therefore be read as a contribution to the ongoing, unresolved discussion of Foucault’s relevance for new materialism, especially as the latter is incorporated more and more into contemporary rhetorical theory.

In general, Sharma achieves a sophisticated balance of cultural theory, ethnographic research, and personal prose. She often provides the reader context for how her research or personal life led to a specific part of her argument or a specific type of labor to be analyzed. This makes the book accessible and pleasurable in addition to challenging and rewarding. In the acknowledgments, playing with the theme of temporality, Sharma admits that the book took a long time to write. I would say back to her that, not merely because the text is 150 pages but because of its theoretical insights and engaging style, the book took a short time to read.

Works Cited

Images:
Cookson, Kelly. “Foot in Middle of Yoga Ball?” Online Image. Flickr, 22 Jan. 2008. Web. 28
May 2014.

Cote, Michael. “Charles at Work.” Online Image. Flickr, 19 Feb. 2010. Web. 28 May 2014.

Fisher, Will. “5/26/2011 (262/365).” Online Image. Flickr, 26 May 2011. Web. 29 May 2014.

“Kairos.” Wikipedia: The Free Encyclopedia. Wikimedia Foundation, Inc., 28 May 2014. Web.
31 May 2014.

Matt @ PEK. “Lufthansa Business Class: Main Deck.” Online Image. Flickr, 17 June 2010.
Web. 29 May 2014.

Morner, Erik. “Office Yoga.” Online Image. Flickr, 17 Dec. 2009. Web. 28 May 2014.

thetaxhaven. “Business Meeting.” Online Image. Flickr, 26 Oct. 2007. Web. 28 May 2014.

West, Aviva. “Office Yoga.” Online Image. Flickr, 1 June 2011. Web. 29 May 2014.

Music:
Ballingall, Timothy. Untitled. 2008. MP3.

EGA. Time. TIME, 2013. MP3.

Mister Electric Demon. Fight (High Edit). 85 dollars (compilation 1998-2006), 2007.
MP3.

NICOCO. Bougette. Lost Songs Cemetery Vol. 2, 2012. MP3.

Video:
2011christmasjp. “DSCF1538カレッタ汐留クリスマス2011会場の様子.AVI.” Online
Video Clip. YouTube. YouTube, 6 Dec. 2011. Web. 30 May 2014.

5tinger. “73 Year Old New York Cab Driver’s Wisdom.” Online video clip. YouTube.
YouTube, 4 Nov. 2012. Web. 2 March 2014.

AmpliVox, Bob. “Top 10 Hotel Management Tips for Managers in the Hospitality Industry.”
Online video clip. YouTube. YouTube, 14 May 2012. Web. 28 May 2014.

Cazacioc, Tiberiu. “Piata Slow Food de Pasta la Earth Market-Targul Taranului HI.” Online
video clip. YouTube. YouTube, 8 Oct. 2011. Web. 30 May 2014.

darwinfish105. “AKIHABARA Street Time Lapse.” Online video clip. YouTube.
YouTube, 26 June 2011. Web. 2 March 2014.

Dudman, Nick. “Time Lapse Clock.” Online video clip. YouTube. YouTube, 5 Mar. 2009. Web.
30 May 2014.

El Coronel. “El Coronel Mexican Restaurant’s Kitchen.” Online video clip. YouTube.
YouTube, 12 Nov. 2010. Web. 2 March 2014.

Eric Farrow. “Taxi Cab Ride 8-8-2013.” Online video clip. YouTube. YouTube, 4 Sept. 2013.
Web. 2 March 2014.

Gushchin, Igor. “Time-Lapse Softline Office.” Online video clip. YouTube. YouTube, 7 Feb.
2014. Web. 30 May 2014.

Henrique Licentia. “Noam Chomsky X Michel Foucault (Legendado PT BR).” Online video
clip. YouTube. YouTube, 19 Sept. 2013. Web. 2 March 2014.

merlion444. Time Lapse of Singapore – A Busy City (continued).” Online video clip. YouTube.
YouTube, 9 Aug. 2009. Web. 30 May 2014.

Pacheco Granados, Raul. “Capitulo 6 Quality at the Ritz Carlton Hotel Company.” Online video
clip. YouTube. YouTube, 10 Aug. 2012. Web. 30 May 2014.

Schock, Gretchen. “Bee Yoga Fusion – Yoga at WORK.” Online video clip. YouTube.
YouTube, 9 Feb. 2014. Web. 30 May 2014.

Sirleto. “Construction worker – Mangalore, India.” Online video clip. YouTube.
YouTube, 7 March 2013. Web. 2 March 2014.

Televisio Cardedeu. “El Tarambana Rep La Distincio Slow Food.” Online video clip. YouTube.
YouTube, 2 Mar. 2014. Web. 30 May 2014.

Time-Lapse.pl. “Świąteczny Kraków / Krakow around Christmas [Time-Lapse] 1080p
Full HD.” Online video clip. YouTube. YouTube, 8 Dec. 2013. Web. 2 March 2014.

Tures, Stephen. “Google San Francisco – 345 Spear St – Time Lapse 2011.” Online video clip.
YouTube. YouTube, 27 June 2013. Web. 30 May 2014.

Urena, Andres. “TimeLapse Office (Beta) – V2.” Online video clip. YouTube. YouTube, 6 Aug.
2012. Web. 30 May 2014.

Print:
Lemke, Thomas. “New Materialisms: Foucault and the ‘Government of Things.’” Theory,
Culture, & Society 0(0): 1-23. Print.

Phillips, Kendall R. “2014 Conference Rhetoric Society of America: ‘Border Rhetorics.’”
Marriott Rivercenter. San Antonio, TX. 30 April 2014. Conference Program.

Sharma, Sarah. In the Meantime: Temporality and Cultural Politics. Durham, NC: Duke UP,
2014. Print.

About the Author(s):
Timothy Ballingall is a Ph.D. student in Rhetoric and Composition at Texas Christian University. His research interests include rhetorical theory, cultural studies, emotion, and social awkwardness. His teaching interests include multimodal and digital composition. His work has appeared in Praxis: A Writing Center Journal. He also holds an M.A. in English from West Chester University and a B.A. in Professional Writing from Kutztown University.

Prof Dauber Interviewed on Voice of America

THE USES AND ABUSES OF SOCIAL MEDIA (click for audio)

 

On this edition of the program host Doug Bernard talks with Andrew Borene, Attorney at Steptoe & Johnson and an adviser for the Truman National Security Project Defense Council, and Cori Dauber, Professor of Communication Studies at the University of North Carolina and author of YouTube Wars, about the various uses of social media in conflict situations and how these tools might be changing the balance of power between governments and insurgencies.